The Book of Lamps and Banners (Cass Neary, #4) by Elizabeth Hand

The Book of Lamps and Banners by Elizabeth Hand

My rating: 5 of 5 stars


Cass Neary #4 was worth the wait! In the first 50 pages it hit all my buttons for “ancient occult book thriller” and didn’t let up on the thriller for a moment. I was surprised by the challenges and unexpected changes of location Cass experienced along the way, which made for a really exciting and fresh read. I was not surprised that Cass was hitting bottom in this book, and I was rooting for her the whole time, not only to find the book but to decide to take care of instead of destroy herself. Hand uses the titular book to both introduce the is it/isn’t it supernatural element of the story and to dig out Cass’s trauma and force her to confront it and the ruin it’s wrought over decades of her life. The ending perfectly straddles that line between confronting the harsh reality of the present and being hopeful about the future.



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The Mask of Mirrors (Rook & Rose, #1) by M.A. Carrick

The Mask of Mirrors by M.A. Carrick

My rating: 4 of 5 stars


I consider myself very lucky to have received an ARC of this book from NetGalley by way of the World Fantasy Convention virtual book bag. Not only did I get to read this fabulous book that was completely off my radar, but now I have a NetGalley account to get more books in advance.

This book caught my attention even before I learned that M.A. Carrick is a pen name with Marie Brennan and Alyc Helms on the other side. I am not familiar with Helms, but have enjoyed some of Brennan’s work and was happy to read more. And there’s a lot to love about this book!

I’m a sucker for fantasy Venice, and this one delivered both the familiar and the unfamiliar. The language is distinct (not just fantasy-bastardized Italian); while the city is a canal city, it’s not just Venice was a mask and a hat on; and the story explores colonialism and class conflict, not merchants versus monarch neighbors.

Once I learned that Marie Brennan was half of this writing duo, I knew I was in for some rich world building, both micro (the clothing details!) and macro (the geopolitical history!). It took me a while to get the hang of it (mostly the geopolitical history), because my hand was not held very much, but I eventually sorted out the different people groups, where they came from, what they called themselves, what they called each other, and why the city is contentiously shared. I appreciate that the focus of the story was continually on the characters, social interactions, and the intrigues of the plot, and not on massive exposition dumps that might have cleared up the history but at the expense of boring me and making me put the book down.

The political intrigue is built around actual local politics, not a monarch’s court, a war, high-society family feuding, or a disruptive incident like an election or new head of a powerful family. All of those can produce wonderful and thrilling stories, but I have been looking for something different, and I found it here. Rather then starting with a disruption and following characters who try to leverage it to attain their goals, this plot is the unfolding of the disruption amidst everyone’s schemes and agendas. Also, we follow characters representing several sectors of society’s lowest tiers, rather than the highest. None of our main characters just happens to know someone in the nobility or the slums in order to get that tier on the page; they all work hard for their interactions.

Beware if you’re easily lost or put off by large casts of characters! I really like this in a story, even when I lose track of people and forget who they are. It was a little tough because different characters referred to each other by different forms of their names, and there were a few secondary characters that became muddled for me, especially because I had to take a month-long break in the middle of reading this book. However, everyone was distinct enough that I recalled who they were and how they fit into the story as the scenes progressed, so I was never lost for long.

Tl;dr: this book made me happy. It’s stuffed full of my big-fat-fantasy-novel joys. It didn’t drag like (I quite honestly have come to expect from) a 600+ page book, it wasn’t two or three books smashed into one, or a book that didn’t know when to stop and so ended on a cliffhanger/left some huge part of the plot unresolved to shortcut into the next book. The pacing was tight. The story wrapped up, justice was served, the characters advanced in their goals. In doing so the positions and relationships between the main characters shift so that new tensions emerge that will drive the interpersonal aspects of whatever the next plot is, and I am really looking forward to it.

(I can’t believe I reviewed this whole book on Goodreads and NetGalley and forgot to talk about the magic systems! There’s both spiritually-based intuitive tarot reading and a mathematical-based system that reminds me of the alchemy from Fullmetal Alchemist. They’re both 100% rad and included in my “big-fat-fantasy-novel joys”.)



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Nightmare Magazine, issue 94

Nightmare Magazine, Issue 94 (July 2020)Nightmare Magazine, Issue 94 by John Joseph Adams
My rating: 4 of 5 stars

Carlie St. George’s “Spider Season, Fire Season” is the stand-out story of this issue for me – the intersection of domestic violence, ghosts, spiders, and setting operated together in some serious spooky action. Adam R. Shannon’s “We Came Home from Hunting Mushrooms” is a tight slice of tragedy. I’ve never really read Joe R. Lansdale before, and was surprised how much I liked the creepy thrill of the classic horror chase in “The Folding Man,” when I usually avoid stories about inexhaustible relentless pursuit. Ama Patterson’s “Hussy Strutt” was too real to read, and oh so important for the same reason. I’m glad it ended with empowerment, and I’m sad that Patterson is gone.

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The Likeness (Dublin Murder Squad, #2) – Tana French

The Likeness by Tana French

My rating: 5 of 5 stars

Tana French is masterful at character work, as always, keeping me right on the edge of like and dislike for nearly every character in this novel, in a deliciously gratifying way. I was swinging wildly between sympathy and suspicion the whole time, and she just kept turning those screws. Even on the occasions when the “big reveal” or turning point moments seemed to drag on for just a little too long, I realized afterwards (sometimes immediately, sometimes not for another chapter or two) that what I was experiencing was impatience for relief from the excruciating tension and the emotional payoff, not frustration with boring or overblown writing. And she always got to the emotional payoff, even when it didn’t come at the expected moment. The complexity of Cassie’s mental and emotional landscape, the messiness and strain of the situation she’s in, the pendulum of her desires and goals, all imbued with a twist of the Gothic, made for one satisfying read.



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Waters of Versailles – Kelly Robson

Waters of VersaillesWaters of Versailles by Kelly Robson

My rating: 4 of 5 stars

“You are a striver.”

I loved this scene. Usually I hate it when a story that’s otherwise leaning toward literary states what it’s about, but I loved this, I think because striving is the protagonist’s guiding principle, and he tries so hard to hide it. Every person in the court is striving and pretending they’re not. And by making this statement so baldly, it allowed everything else room to breathe. I wasn’t on an emotional journey with Sylvain to admit he was striving (that was pretty fucking obvious). I was along for the ride as he reached his limits, realized what all this striving was costing him and everyone else, admitted what he really wanted. All stories are about someone wanting something, and the revelation of the story was Sylvain’s suppressed desires.

Also, this is a dramedy about toilets set in a court that reached new absurdities of behavior. In short, this story is fantastic.

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