Autumn Princess, Dragon Child (Tale of Shikanoko, #2) by Lian Hearn

Autumn Princess, Dragon Child by Lian Hearn

My rating: 2 of 5 stars

Spoilers ahead . . .

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Jokes on me! I skimmed the ending of book four to make sure Aki and Shika didn’t reconcile, and it looked safe to proceed, so I read volume two. In addition to being slower moving than volume one, I cared less and less about the characters as I went. Everyone was a scheming whiny asshole, and all the women kept getting screwed over, or reconciling with men who treated them badly. Before anyone pushes up their glasses and tries to say “well, actually” in my direction, I understand that the author is following traditional Japanese epics as a guide, and that everyone is probably meant to be a scheming, whiny asshole, but that doesn’t mean I have to want to read these books. This is not what I’m here for.

Aki had a rape baby, and then died at the end of the book. It was supposed to be a big heroic and sad sacrifice, and I might have appreciated it more if she hadn’t been raped, had a baby, and then considered reconciling with her rapist just before died. Also, the rape was unnecessary from a plot and character arc perspective, so . . . I’m done. I’m stopping here. This series will remain unfinished, and all four volumes are now in my giveaway pile.



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Emperor of the Eight Islands (Tale of Shikanoko, #1) by Lian Hearn

Emperor of the Eight Islands by Lian Hearn

My rating: 3 of 5 stars


Really good stuff, right up until the end. Love the intrigue, the mysterious and unexplained magic, Japanese folk creatures, and interconnected characters and narratives. Every small win turns a corner into another disaster. As I read, I really started looking forward to the next three books, and how this twisty tale was going to unfold and resolve itself.

Now for the part that dropped my star rating from a four to a three. Spoilers ahead. CW: rape.



I am really upset about the rape-as-motivation for Aki to leave Shika and lose trust in him. I don’t care that he was magically manipulated/compelled by the Prince Abbott–Hearn has introduced the possibility that Aki is the woman Skika is meant to marry. I don’t like spoilers, but I actually flipped through the end of book four to make sure Shika and Aki didn’t reconcile and end up together because I am not here for rape apology, women marrying their rapists, rape as easy trauma, or rape as motivation. Writers can and should do better and be more creative. The Prince Abbot also magically manipulated/compelled Shika to attempt to kill Yoshi, which is motivation enough to make Aki feel unsafe and untrusting and leave him. Narratively, the rape is unnecessary.

I didn’t see any evidence that Aki and Shika reconcile by the end of the series. What I skimmed sounded as though they have been sundered forever and Shika regrets his assault on her for years to come. I’m hopeful that’s correct and I didn’t miss anything. If I encounter anything to the contrary as I continue reading, I’m DNF-ing this series.




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A Wizard’s Guide to Defensive Baking by T. Kingfisher

A Wizard’s Guide to Defensive Baking by T. Kingfisher

My rating: 4 of 5 stars


You haven’t lived until you’ve seen a cookie look smug.

What a fun and sarcastic delight from start to finish. The love child of Diana Wynn Jones’s Howl’s Moving Castle and Tamora Pierce’s Wild Magic, wholly its own while also finding a place amongst these inspirational greats. Surprised to read in the acknowledgements that Kingfisher (Vernon) wrote this ten years ago, as the themes and circumstances felt very current. Just shows that being anti-fascist is always necessary and never goes out of style.



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Master of Djinn by P. Djèlí Clark

A Master of Djinn by P. Djèlí Clark

My rating: 5 of 5 stars


Thanks to NetGalley for the free ARC of this book in exchange for an honest review.

Luckily, I get to rave about what makes this book so great.

Master of Djinn is more than just an extremely fun adventure-romance (in the literary and popular sense)-murder mystery. (There’s also clockwork/steampunk elements, because Clark saw us all coming and threw as many things into this blender as possible.) It puts colonialism and racism, the patriarchy, disenfranchisement, and slavery under a microscope, all while infusing it with humor, sarcasm, and memes. (Clark reminds us that the 21st century didn’t invent that shit, bless him.)

I love Clark’s re-imagining of a Cairo – of an Egypt – independent of British rule, establishing itself as a world player in a critical moment in time. The unmasking of the conspiracy at the tangled heart of the story mirrors the real history of Otto von Bismarck and the complex web of secret deals he brokered amongst world powers that led to the outbreak of World War One. I don’t know how Clark managed to do that so elegantly while including those same world powers on the precipice of their conflict in the story. That’s what makes this book so powerfully good: the use of bombastic adventure tropes to distract you from the reality that you’re reading some sophisticated and subtle storytelling. Layers of misdirection, for the characters and the readers!

Let’s talk about the characters. Fatma is complicated and willful and deeply good. She makes mistakes and does better next time, and does it with style and panache. Siti is funny and sexy and has sharp edges and claws and always shows up when someone she cares about needs her. Hadia is ambitious and smart and skillful and sly. They are all devoted to family in their own way. It shouldn’t be so rare to find a book written by a man with female characters who feel like they were written by a woman, but it is, making this book a rarity twice over.

I highly recommend reading at least “A Dead Djinn in Cairo“, if not also The Haunting of Tram Car 015 , before reading this novel.




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The Unbroken by C.L. Clark

The Unbroken by C.L. Clark

My rating: 4 of 5 stars


This book is all about messy, complicated relationships, and how they’re even messier and more complicated by colonialism and power dynamics. It’s also about the messed-up choices people make in pursuit of their ideals and goals, the lies they tell themselves and others, and the how vulnerable they become when they start telling the truth. The interpersonal dynamics of both the major and minor characters in The Unbroken are what take a good story and make it great.




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