My rating: 4 of 5 stars
I enjoyed this SO MUCH.
Not only is it delightful to return to the world of “A Dead Djinn in Cairo,” Clark develops the world further while he tells another story. The conversations underpinning the world about modernity, social change, gender roles, and feminism, carry forward into The Haunting of Tram Car 015 and not only advance in the background but are intrinsic to the plot. The style and technology move from Victorian Steampunk into Art Deco. I could visualize the many geometric patterns and the Art Deco style of the women’s suffrage posers while reading this story, and although it doesn’t quite go full Decopunk, the flirtation in that direction makes my heart happy. Clark turns the second wave of Egyptian Revival from the Art Deco period an actual Egyptian movement instead of a Western fashion trend. The alternate history worldbuilding is so tight and clever, I can’t say enough good about it.
As I’ve come to expect from Clark, he delivers a kick-ass story driven by kick-ass characters. Every encounter is a character study, and every character leaps off the page. Hamed and Fatma gossiping about her case from “A Dead Djinn in Cairo” over tea and cake was the perfect ending note.